Earlier this year I was contacted by Colorado 4-piece, Thee Dangs Dangs, and, I was ecstatic even after just a single listen of their new full-length, For The People. The indie quartet's psychedelic sounds are perfect for injecting some much needed life and energy into any lazy evening or afternoon, so get ready to hit the surf and chow down on an LP as fresh as Baltimore crab - Review by Daniel Sharman.
Thee Dang Dangs have been going for a little over a year now, and it that time, seen exponential growth as song writers and musicians in general. For The People further demonstrates the band's versatilities and song writing capabilities. Songs on the new record range from straight up sun-skewed surf to spaced out psychedelic breakdowns. The album can go fast, but isn't afraid to slow things down a step when it feels it needs to. Songs often swiftly combining multiple pacing elements, creating varied and interesting rhythmic juxtapositions.
In addition to the slick speed changes, the LP also sets itself apart from the crowd in part to it's unique vocal compositions and harmonies. The band's vocalist, Rebecca Williams, relying heavily on ecstatic vocal flares(rounded off nicely with the use of a Holy Grail reverb pedal) to convey the emotion of a song and snugly fill the spaces the rhythmic section of the band leaves empty.
Basking in classic garage and surf influences, the album has a very pronounced feel and a very particular vibe/feeling that can't all together be described in words. One notable aspect of the album, though, is it's consistent sexual undertones. Many references can be seen to this throughout the album's runtime, such as the almost orgiastic vocal flares, voluptuous lyrics(see 'Wrap my lips around your spine' and 'She Moves') and orgasmic rhythmic build-ups, courtesy of the heavily reverberated guitars.
A mixed bag in terms of genres, this album shines at many moments. It's more classic, by-the-book songs, very much leave an impact as the hits of the album, these being, in my opinion, She Moves and Lips Around Your Spine, both opting for a full out, rock n' roll sound. Lips Around Your Spine especially stands out, showcasing the bands ability to create garage hits as well as surf ones, the driving progression showing us that 4 chords is still king.
However, this album isn't a one-trick pony, it also shows evidence of the bands' wider influences. Take Pieces Of You for example, showing the bands' more delicate, atmospheric side, an obvious hat-tip to many of the early jazz and big-band records. Furthermore, the LP's tenth track, Kingdoms Lost, is psychedelic throw-down with a fantastic fuzz-filled bass-line to boot.
If there was one criticism to be said about this album is, the album's fifth track, Landlocked Surf Rock, is a bit of a red-herring in an otherwise focused album, not really bringing much to the table, but not enough to make you want to skip to the next song. Luckily, this is one of the shorter tracks on the album and doesn't keep us waiting for too long, plus we soon are drawn back into the action by tracks such as Breathe On Me Young Frankenstein and Dust In The Mojave, so this could be seen as just another device to keep our attention.
Critics Summary: This is an album that continues to amaze and inspire throughout it's runtime, showing us the multiple musical persona's this band is able to undertake whilst managing to remain within their own sound. A band that is quite clearly more than the sum of their influences, I cannot wait to see where Thee Dang Dangs go next and to see what they will produce, all I know is this reviewer will be behind them all the way... Power to the people and their quest for creativity!
Also remember to buy a full copy of the album (where you can hear all the tracks for free): Here!
Remember to like the band's Facebook page: Here!
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